One of the fencing practices I was at And trying to get back to where I was before the knee injury. BTW – I’m the one in the red.
One of the fencing practices I was at And trying to get back to where I was before the knee injury. BTW – I’m the one in the red.
A short little piece I was working… Should one release a captured faery. Basically I was playing with a few apps to see what they’ would do. Music by Stefano Mocini (Jamendo)
Writing tip #35: Does each of your scenes advance the plot, develop the character(s), illustrate your theme or help contribute to suspense? How can you make it do double or triple duty?
Writing tip #34: Even when you’re not feeling the muse, get something on page EVERYDAY.
Writing tip #33: Do you know what your beloved character just would not do? What happens when she does it?
Writing Tip # 32: It isn’t what you, the writer. wants to tell your readers (all that juicy backstory and details floating through your head)….IT’S what the character desperately wants the reader to know.
Writing tip 31: If you are not happy with a scene, figure out why. Does it drive the story forward and/or deepen the character?
Writing tip #30: Be on intimate footing with the elements which create the heart of your story for this is your ‘Throughline’ and it shall run quietly through every page and push your characters out of the dark middle woods and into the light of resolution.
Writing tip #29: Remember (like in the real world) – it isn’t always what is right in front of the reader which rivets attention but what can be read between the lines.
Writing tip #28: It’s good to keep the reader guessing. However, don’t make him/her kin to Sherlock Holmes on his best day- in other words, don’t be stingy with the clues. AND remember all the answers shouldn’t be dumped in one massive pile at the end.
Writing tip #27: Implement the good things you pick up about your craft before the information transforms to dandelion fluff.
Writing tip #26: Finish what you start. Practically every writer gets to the muddle of their WIP (work in progress). Remember what originally excited you about the project and work through it.
Writing tip #25: Make the details in your setting count. Not only should it clue the reader into where he/she is but how it impacts the POV character. And remember, there is more in the sensory toolbox than what the character would see.
Writing tip #24: Part of the ride for the reader is to live vicariously through your characters.So learn to ETAC after a serious thwarted goal knocked the wind out of your POV character. What is his/her reaction (E – emotion and T – first thought)? What can he/she do (A-action)? And what is his/her decision (C – choice)? Then immediately go back to GOS (Goal-Obstacle-Situation).
Writing tip #23: Learn to GOS a scene. In other words, do you know what your POV character wants most desperately in the scene (G – goal)? What’s keeping him or her from it (O – obstacle)? And what is the consequence is (S – setback)? And now the bonus kicker question — Is your reader able to pick all that up simply reading your scene?
Writing tip #22: Look up and explore new places. Get out of your comfort zone and research not only on the internet but with the experts.
Writing tip 21: Read what you’ve written aloud. Is there inflection? Rhythm? Flow?
Writing tip 20: Technology is wonderful to leverage. Have pen and paper or a smart phone when you’re out and about and the muse hits. But remember — butt glue (fanny in seat) is key to consistent writing.
Writing tip #19: Keep a dream journal or daydream a scene. a character, your world or dream how it’ll feel when you’ve become the successful writer you want. Writing is in the business of dream it – it may come.
Writing tip #18: Having a bad writing day? Well, was there something new you wanted to explore? Remember writing is fun It is the ultimate pretend playtime an adult can have outside of romping with a pack of kindergarteners — just keep filling that play pail.
Writing tip #17: If you don’t have a deadline, consider making one And don’t be afraid to get your writer friends to keep you honest. It’s one of the ways writing budz can help.
Writing tip #16: Tension is what keeps readers turning the page so make every scene contain somebody’s thwarted desire – external or internal. This also is the key to allow your reader to truly experience the caliber of your characters.
Writing tip #15: Trust in your storytelling abilities particularly when the anti-muse whispers you are wasting your time. Write anyway, Continue to learn your craft and keep writing.
Writing tip #14: Your protagonist must be bigger than life. Readers connect with a sympathetic character and these characters can allow a reader to live vicariously through them allowing the reader to experience things he or she would never do. Write big. You can always scale back during the revision.
Writing tip #13: The world needs storytellers and storytellers should know many tales. Remember to read — first for the ride and then the critique.
Writing tip #12: Don’t limit your creative process. For example, if you can’t “see” a scene try story boarding it or play act it out.
Writing tip #11: Having difficulty starting your writing day? Set a timer for 120 seconds, bring up a blank page and type anything…even random letters. Only rule – don’t stop or go back to correct on this exercise.
Writing tip #10 – Play the “what-if” game often. Think of at least 10 different options of what could happen within a story-line and be prepared — the last what-if, many times, will be the one you want.
Writing tip #9: Be brave and bear your soul on the page. After all, what reader hasn’t gotten the willies, or became teary-eyed or angry or laughed out loud when reading a good book? Have you experienced any of that when you’ve written? If not, is it because you’re afraid to let go?
Writing tip #8: It is your duty to be a troublemaker for your character. Yes, be a problem-solver and then be an even bigger troublemaker. After you get in the swing of it, it’s actually sort of fun.
Writing tip #7: Give yourself permission to not be perfect in your writings. Instead just get it all on paper (physical, electronic, it doesn’t matter). Worry about revisions after.
Writing tip #6: Interact with your imaginary friends aka your characters. Do you know their top 3 strengths and weaknesses? Will your other characters corroborate with you or do they have a differing opinion?
Writing Tip #5: The top three most important things to do is write, write and write! Carve out at least 15 minutes a day to do these three most important things.
Writing tip #4 Your muse is your friend. Feed her often with all sorts of thoughts and ideas — she will spin you something amazing.
Writing tip #3 — At the end of your writing day, give yourself a loose end, a deliberate unfinished place to be an easy diving spot to plunge back into your “other world.”
Writing tip #2 – When the muse starts whispering – jot down everything she says – of course, some things you won’t be able to use (at least currently) BUT other things will be pure genius.
Writing tip #1 — To truly know one’s heroes, one must know the villains.
Plowing through a manuscript as its creator can be likened at times as being a babe lost in the woods. It isn’t until the theme, the true heart of the creation has been realized before the forest’s creaky trees and underbrush pull back to show the roadsigns and a clear path.
Sometimes, you could be stunned at how far you traveled on the forest path and not even known it – But more importantly – you can see the random deer paths leading nowhere, even if they lead to beautiful groves and waterfalls.
The wondrous part, a beautiful waterfall or grove isn’t locked down to particular plot of ground. As the creator you can move it up by that forest path. But the important part is that path. And who knows, there could better greater scenery up ahead.
And that is my task at hand.
Each picture can be a story. That being said, who can you imagine walking and viewing this sight? A little girl in a red hood…a caravan of medieval merchants… a lone highwayman…a pair of star crossed lovers….an unbeliever looking for something real…a faerie queen on a tour of her kingdom?
The father of logic, a Greek from a whole country of stories which continue to pass through the ages, used syllogisms to show connections and I propose if all pictures are worth a thousand words it makes up a story and stories illicit images…pictures.
What story jumps to mind at the sight of a young handsome youth clutching three golden apples or a road with a rabbit and turtle or one glass slipper on a outside staircase or a girl in her night clothes on a balcony by moonlight?
And I wonder if every story has a picture, if one picture would sum up an individual’s story, would we be able to identify our own. What would it be?
Do these story images come from when decisions are in the offing or decisions have been made or when possibilities are at their highest. Does grabbing the brightest, the most profound picture that touches our hearts and soul and willfully imprint upon it give us an edge to be the best self we can be?
There’s a power in visualization, in believing, in stories. So I say paint your image, hang on to it with both hands and be the best story, the best picture you can be.
Of course we who are on the physical plane really can’t know what happens when we die and where we go. But I wonder like so many others do.
It’s been said that in the afterlife we are reunited with loved ones… And our true loves. But what happens for those who love deeply more than once within a lifetime? What happens to those who have experienced marital bliss with more than one spouse? More than one lover? It is said there is no jealousy in heaven. How does that work? Is everything possible?
From what I understand with quantum physics, everything happens at the same time. It is only after it is observed that all possibilities snap into only one.
Could that mean in heaven there is no linear processes? If that is true then all possibilities happen at the same time. It means each soul is with each beloved at the same time. A soul could be chilling out with friends at the same time as taking a romantic walk with a loved one or three, checking in on those left behind in the physical plane as a guardian angel perhaps, sitting alone pondering God, and be nonexistent.
Perhaps our souls choose life on this planet and are born so we have the experience of a linear process. Sort of like one of those books that you read and the story can be different each time by picking another option at a crossroad decision…only our story has billions of crossroads or more. All possibilities until an observer observes.
So who constitutes an observer? Our departed loved ones watching over us? God? Angels? Devils? Ourselves? That which we call to ourselves?
I mention God only because to be the observer would not he/she be interacting with free will? Our greatest and most challenging gift.
If all things are possible can it be true we could fold space and time? Stand before our departed in the spiritual realm before death or millions of light years on another world.
Do we live in a land of observers and observers influence possibilities? Do our perceived limitations become a sel-fulfilling prophecy?
Sometimes I feel if I think too much on it I could pierce the veil and fall off the world.
Where do we go when we die? Living on in memories, of course and in everything. Could we be that which makes up the universe. If all possibilities be endless, is each one of us an infinite burst, a long note in the cosmic choir eternally? We could be subatomic particles which stunned the science world with the trip down the rabbit hole sparking the concept of quantum physics. We could be all and everything or nothing all at the same time. Where do we go? Do we become?
When the boogie-man abducts Aunia’s father and almost destroys their village with demons, the teen-ager needs to discover who her father really is and how to save him. But to do either, she’ll have to travel to a land that wants him dead while avoiding capture herself. It is only after she strips away her family’s secrets by making use of her friendships with gypsies, faeries and pegasi flyers that she discovers what she’s looking for and it comes with a personal understanding of the struggle between duty and passion.
So what are the similarities of wielding a sword and wielding a pen?
Both hold a sharpness: the sharpness of prose versus the sharpness of steel.
One bleeds ink while the other draws blood.
Both can cause an injury or a death…fictitiously or by fact
This last item is what inspired me to take up fencing. I wanted to write better battle scenes. I knew strategy, teamwork, talent and proficiency make up a good battle, a good melee. I knew each contributing member will boost or take away from the group but I only partially understood it. What I wanted was to soak this in. To become…so when I looked out through each character’s eyes, I could do just that…become each character, experience each aspect, without this veil of mystery shrouding an important facet. I thought how much personality and integrity that I could boost by describing my characters in flight or fight situations.
So I took up fencing to be able to describe the mechanics, describe the strategies… What I didn’t think of was coming away with describing the heart.
I’m sure we all can recount experiences we’ve had which show our ‘metal’ in stressful and/or dangerous situations. For example, I can show you the scar I bear from saving my three year old’s sister’s life when I was ten. But experiencing the adreline spike with comrades at arms surrounding you, parrying and slashing as a team makes me realize how much of life I’ve been handling on my own.
Whoever thought that fencing would lead to introspection? I already knew writing would and has. So, I’m adding another similarity between fencing and writing…both when used correctly will allow you to know yourself better.
I’ve heard the maxim, “write what you know.” I say “Write what you desire to learn.” That tact will take you unexpected places, if you let it. What do you think?
Oh, and feel free to pop in to see the Write Stuff Conference Blog http://glvwgwritersconference.blogspot.com/
Happy Fencing, Happy Writing!
If you are interested in writers’ conferences, this one is one of the best in Pennsylvania even if I am biased…I’m the conference chair. Donald Maass is our keynote speaker for the 2011 Write Stuff Conference plus he’ll be teaching two pre-conference workshops. Dates are March 24 -26, 2011. Please check out the event blog for information; agent, editor and presenter interviews; and conference tips. Be sure to check back here from time to time – you’ll never know what you’ll find.
http://glvwgwritersconference.blogspot.com/2010/11/2011-write-stuff-conference.html
Mere weeks from now – how poignant, the leaves at summer’s close to die with exquisite riot of fire and color. Nature’s ovation ‘fore the green world’s sleep and even now the evening sky mirrors fall’s dying breath in warm shades of flame and persimmon. How lonely can the mortal sun be as it arcs across the heavens in last throes of season’s heat? A staggered catch ‘twist tree and sky as the winged ones soar with soft caress before the year’s wheel spins again.
But even before the season’s turn, the world pulses against my naked feet like muted breath. I reach, limbs wide longing for every bright moment to bake within my skin. And if I become cold, I would grow wings, ignite into light, and gaze from the celestial sphere safely removed inside myself. But perhaps, if fortune smiles, like scattered leaves yet to come and heaped high for ingenous sport, the peal of joyful freedom will ease the sting of what must be.
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